Created in 2008 through a collaboration between two professional artists: community-based developer, theatre and performance artist Coman Poon (Toronto, Canada) and cultural worker, choreographer and performance maker Erica Mott (Chicago, USA), re[public] in/decency seeks to engage diverse audiences in our interdisciplinary work while acting as a conduit between social justice activism and conceptual art practice.
Our art-making practice is highly collaborative and we work with both artists across disciplines as well as diverse inter and intra-national communities. Key collaborators include teacher, video and performance artist Sheelah Murthy, experimental media artist Juana Awad, performance artist and scholar, Lisa Biggs and artist and designer, Kristin Mariani Frieman.
Our work embraces cross-cultural perspectives and is fueled by experiential research with arts-mediated dialogue about social, economic and racial justice. We place the artist as a central participant in our society. We believe that through performative action, the creation of strong and resonant images and the power of play, artists may act as catalysts to encourage citizens to reframe and possibly revise their in/action. Our creative projects are informed by personal experience and strives towards building connections between ‘local’ and ‘global’ issues. We focus on inclusively examining the ‘relational’ (composites of unique bodies and stories, political, cultural and ethnic backgrounds, gender inhabitation and artistic constitution) as a key component of collaborative creation.